Intervention Idea

In support of the video, I have also shared the slides that follow

Summary

According to Bowleg (2012), ‘Intersectionality is a theoretical framework for understanding how multiple social identities such as race, gender, sexual orientation, socioeconomic status, and disability intersect at the micro-level of individual experience’.

As I have mentioned in the previous Unit’s blogs since 2022, I have been working as a Learning Technologist at the London College of Fashion (LCF) and I have been delivering a 4-day course called Adobe Professional Certified (ACP) Photoshop and InDesign.

As mentioned by an article written by Vikki Boliver from Durham University the HE curriculum dominated by White European standards and canons of scientific and scholarly knowledge.  In many cases, ethnic minority students are engaging with a curriculum that does not reflect their socialisation, worldview, history or lived experience.

In particular, the shocking murder of George Floyd in Minneapolis in 2020 I have been digging more about the need for decolonising our HE curriculum “by ending the domination of Western epistemological traditions, histories and figures”(Boliver, 202).

In virtue of this, I have noticed how I needed to unmoor my knowledge and delve into the cultures, faiths and nationalities of students who come from all around the World.

During the delivery of my course I made an introduction Welcome slide in all the languages and others related to the ‘inspiring’ context for the presentation with artworks of the Indian female artist Arpita Singh and Mexican disable artist Frirda Khalo who at the age of six contracted polio which eventually made her right leg grow shorter and thinner than the left. The illness forced her to be isolated from her peers for months, and she was bullied.

I brought in my teaching context to spur our students and to tell them that they are capable of achieving the impossible if they only want to.

References

Arday J, Branchu C, Boliver V. What Do We Know About Black and Minority Ethnic (BAME) Participation in UK Higher Education? Social Policy and Society. 2022;21(1):12-25. doi:10.1017/S1474746421000579

BBC (2020). George Floyd: What Happened in the Final Moments of His Life. BBC News. [online] 16 Jul. Available at: https://www.bbc.co.uk/news/world-us-canada-52861726.

‌Bowleg, L. (2012) The problem with the phrase women and minorities: intersectionality—an important theoretical framework for public health. American Journal of Public Health, 102, 1267–1273.

UAL (2024). Creating accessible digital content. [online] UAL. Available at: https://www.arts.ac.uk/students/creating-accessible-digital-content [Accessed 26 May 2025].

‌Zahra Jamshed (2016). From ‘cow’ to cover girl, model Winnie Harlow is changing beauty standards. [online] CNN. Available at: https://edition.cnn.com/style/article/winnie-harlow-interview-model-qa [Accessed 26 May 2025].

List of images

Fig. 1 – Floyd, G. 2020. Selfie. Minneapolis, USA.

Fig. 2 – Renga, G. 2025. Welcome in all languages. London, UK.

Fig. 3 – Renga, G. 2024. Vitruvian Man. London, UK.

Fig. 4 – Renga, G., 2024. InDesign Process Screenshot. London, UK.

Fig. 5 – Renga, G, 2022. Hair. Suwon, South Korea.

Fig. 6  – The Chairman, Lalit Kala Akademi, Ministry of Culture, Shri K.K. Chakravarty, conferring the fellowship on eminent artist Arpita Singh, at a function, in New Delhi on October 10, 2014. Available at: https://en.wikipedia.org/wiki/Arpita_Singh [Accessed 26 May 2025].

Fig. 7 – Renga, G. 2025 Arpita Singh Exhibition @ Serpentine Gallery. London, UK.

Fig. 8 – Anderson, E. (2019). Frida Kahlo Painted Using Assistive Technology (and So Can You). [online] AT3 Centre. Available at: https://at3center.net/2019/07/08/frida-kahlo-painted-using-assistive-technology-and-so-can-you/.

Fig. 9 –  Fay, N. (2021). Quem foi Frida Kahlo? [online] Pinterest. Available at: https://uk.pinterest.com/pin/2322237301016281/ [Accessed 26 May 2025].

Comments

4 responses to “Intervention Idea”

  1. Emilia Netto Avatar
    Emilia Netto

    Giuseppe your presentation and slides are fantastic! I wasn’t expecting for my name to come up, it made me jump!:)

    You have reflected on the questions I asked, added a diverse and well rounded list of references to support your intervention, I am looking forward to seeing the outcome.

    1. Giuseppe Renga Avatar
      Giuseppe Renga

      Hello Emilia, many thanks for your feedback. I have cogitated a lot about the intervention and how to communicate it and I thought that 300 words would have been quite limiting. I am firmly convinced that the murder of George Floyd has made not only me but the majority of us aware of how many gaps and diparities are still affecting our society and consequently the HE sector. It seems quite hard to change the structure of this apparatus we are living in, but awareness and knowledge can start affecting this paradigm. More than before I think we have to unite our forces as it is happening right now in LA with poeple protesting against Trump and this disgraceful retun of nationalism and fascism.

  2. Mikolai Berg Avatar
    Mikolai Berg

    Your intervention summary video clearly shows how thoughtfully you’ve integrated tools to enhance accessibility and foster a more inclusive environment, particularly for neurodiverse students and those from a range of cultural and linguistic backgrounds. I appreciated the way you use visual art to bridge communication gaps and deepen understanding, almost bypassing language altogether. It’s such a clever and sensitive approach, especially given that many of your students are visual learners who will naturally connect with this form of delivery.
    One suggestion you could consider is exploring how to evaluate the effectiveness of your delivery in equally creative ways. It could be interesting to gather feedback through alternative, perhaps even non-verbal methods. For example, could a feedback tool be developed using visual prompts or symbols rather than text? A digital version of creative feedback cards might allow students to respond visually, offering valuable insights while remaining accessible and engaging.
    Overall, your approach is both inspiring and refreshing. Thank you for sharing these innovative accessibility tools, they ignite ideas for rethinking how we communicate and connect in the classroom.

    1. Giuseppe Renga Avatar
      Giuseppe Renga

      Dear Mikolai, many thanks for sharing another useful comment on my blogc…I reailly agree with you in relation to how student could be more incentivised in sharing their feedback through an image instead of limiting them with words. I have to confess that “in a very diverse classroom, a teacher can no longer assume that something will work or be understood and accepted” (Bamber & Jones 2015). In virtue of this, I am considering of using for instance a letterbox where students might be able to drop cards decorated with different colours or different images to express their imopressions about the course and my teaching practices

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